Aishwarya, Deepika, and Sonam – the main stars of the red carpet of the festival
Bollywood, as always, is ahead of the whole planet in the matter of providing valuable personnel to the West – beauties of the highest standard. Surprisingly, few people in Cannes are greeted with such ovations: neither the Hollywood divas of the largest caliber such as the dazzling Charlize Theron nor the local European art-house heroines of the complex cinema – Marion Cotillard , Isabelle Huppert, Charlotte Gainsbourg , – a movie for which, in fact, in Cannes, and starts. And even Bella, Kendall, and Emily, so convincingly undressing in the frame, who came to raise the secular degree of the world’s main film review, could not eclipse the Indian goddesses, who are traditionally worn in Cannes.
Even from the distant 1994 conservative public thinks Aishwarya Rai beautiful woman in the world – then it triumphantly won the competition “Miss World”. For some reason in the complex for such exotic beauty soil Cannes tracks and secular aktivnosti this flower bloomed and was not just a seasonal universal popularity, but has become a symbol of the main festival of the planet – to muse Aishwarya Cannes has always been considered Brigitte Bardot. Without further ado, the Indian beauty giving the delighted audience exactly what particularly successful – in the right luxury, beauty, understood in all languages of the world – as well as making a clear contribution to the treasury of increasing tolerance.
This year, Aishwarya again among the most anticipated guests of the film festival. Two cardinally opposite images on the red carpet, and what! Lilac dresses in the spirit of oriental priestess make-up artists L’Oreal Paris complemented with arrows stretched to the temples and scarlet lipstick. In the snow-white dress of Rami Kadi, Aishwarya was again flawless: in contrast to the classic outfit silhouette and make-up in pastel shades, a futuristic hairstyle was created in the form of a high beam with graphically released strands. Ovations, the longest autograph sessions, the most time for posing in front of cameras is all of it.
Of course, the success of India’s most popular woman is trying to replicate many of her compatriots. Some of them are quite convincing: thus, among the first guests who came to the Azure Coast this year, was Deepika Padukone, who also recently became the face of L’Oréal Paris and who, of course, is very flattered by the glory of Aishwarya. At the festival, the Indian beauty appeared in a delicate pink dress-trapeze with open shoulders and with luxurious dark-brown smokeys. In the evening of the same day, Deepika made her debut on the red carpet of the Palace of Festivals in a fantastic translucent plum dress and with a maroon lipstick in a tone on her lips. For some reason, Indian tricks are very, very good.
Inspired by the brightest images of Aishwarya Rai, this year at the Deepika Festival he presented two bright images at once. The elegant and feminine outfit in a luxurious outfit Zuhair Murad – a tribute to the eastern tradition and the right luxury, which is especially effective in the performance of Indian beauties. The second outfit – an asymmetrical fuchsia-colored dress with graphical sleeves in the shape of wings – was a real revelation of the 71st Cannes Film Festival. And all this, accompanied by absolutely incredible smoky eyes, created by make-up artists L’Oreal Paris.
Another Indian princess in Cannes was the son-in-law Sonam Kapoor, who managed to become the main star at the premiere of the film “The stories of the family of Myrovic”. Last year’s gently pink dress with ethnic motifs beat India’s love for luxury: here you also embroidery, and a chiffon train, and sleeves to the floor, and heavy earrings to the shoulders. This time in Cannes, Sonam presented a traditional outfit for a new way – a crochet top and a lush skirt, as a tribute to the Indian sari. Needless to say, that her L’Oréal Paris appreciated: the beauty also became one of the beauties of the brand.